winnie the pooh illustration by EH Shepard
i love how simple yet poet and child-like these illustrations are. they're so simple yet capture such a simple innocence of childhood.
Monday, April 30, 2012
That Spiderwick Guy
Tony DeTerlizzi was the illustrator for the Spiderwick Chronicles and more. His ink drawings and watercolor pieces pay homage to a more classical style of working.
Try checking out his blog at some point. He updates regularly and talks about his work and his life, not to mention the industry.
Pokemon - Yeah I Went There
Just about everyone was into Pokemon at some point in their childhood. One of the reasons it was so successful, were the Pokemon themselves. As characters, they're pretty strong because design-wise, they're basic shapes. Playing with shapes is a huge contribution to successful characterization. Heck yeah Pokemon were ridiculously easy to draw when you were 6, that's part of the appeal.
Lisbeth Zwerger, cont.
I'm adding to what Erin said previously. Seriously go check out Lisbeth Zwerger, her stuff is awesome.
Book Covers - Percy Jackson
The illustrator for the cover art of the Percy Jackson series, John Rocco, puts the main character, Percy, in shadow on each book cover. I personally prefer this sort of cover treatment, as it allows a basic outline of the character's looks, but it's still up to the reader to interpret how they picture the character.
Brett Helquest - Yes he did A Series of Unfortunate Events
An excerpt from an interview with him:
HOW DID YOU GET STARTED AS AN ILLUSTRATOR?
After graduating from college I left for New York City. My first job was an internship with an illustrator named Robert Neubecker. I began showing my portfolio whenever I had the chance. Slowly, very slowly the jobs began to trickle in. My first jobs were from newspapers and magazines. I did this type of work for about seven years. During this time I also had a day job as a graphic designer. I eventually decided to pursue some work in children’s books. The first book I had the chance to illustrate was “the Bad Beginning” by Lemony Snicket.
HOW DID YOU COME UP WITH YOUR STYLE?
It evolved naturally. I think the art that inspires me has an influence. Some examples are traditional Japanese and Chinese art, comic books, Great American illustrators like N.C. Wyeth and Howard Pyle. Other elements of style come as solutions to weaknesses. For example my use of line began when I had trouble controlling edges in my paintings. I also do most of my drawing from my imagination, I rarely use models, so I had to develop a way to draw that allowed me to do this.
David Roberts
A children's book illustrator who works in both color and black and white. His characters are rather quirky and fun.
Sunday, April 29, 2012
Interior from "All the World" by liz garton scanlon
illustrated by marla frazee (caldecott honor metalist)
Saul Bass
These are a couple pages out of Saul Bass's only kid's book, "Henri's Walk to Paris". He worked in a very graphic style and used bright, popping colors throughout.
Swedish "Harry Potter"
These are the Swedish "Harry Potter" covers. I think it's interesting to see which characters and creatures look like their American book/movie counterparts, and I really like these covers just on their own. They're totally crazy and cluttered but they still work, and the colors are all really odd and eye-catching.
The Amazing Bone is a 1976 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, a 1977 Caldecott Honor Book, and a 1977 Boston Globe - Horn Book Awards Honor Book for Picture Books.
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